20070905 Special to the Westminster Eagle Edward Hopper: A stranger in a world he never made

Edward Hopper: A stranger in a world he never made

09/05/07 By Kevin E. Dayhoff

Special to The Eagle

There is a certain unexplainable enigma that draws folks back again and again to ponder the mysteries of Edward Hopper's "American Scene" paintings.

Perhaps it is Hopper's peculiar way of depicting the stark existence of the human condition in such a simple "language" which begs for questions ... yet offers no answers.

Both questions and answers are welcome when the first major Hopper exhibit in Washington, D.C. in 25 years opens this month. The Carroll County Arts is hosting a trip to the exhibit at the National Gallery on Sept. 25 (see box).

The theme of a sophisticated confrontation with psychological tension and isolation is evident in Hopper's most famous work, the 1942 "Nighthawks."

That painting, according to Hopper himself, is of "a restaurant on New York's Greenwich Avenue, where two streets meet." Perhaps prophetically, progress did away with the diner long ago.

"Nighthawks" is a painted storyboard for a film noir movie on the late night lonely lives of four mysterious characters. It is left to each viewer to provide the plot and dialogue.

The painting shows no visible entrance or exit. The characters appear trapped and highlighted in the glare of the artificial light.

Hopper died in 1967. According to the diaries of his wife, Josephine Hopper, he always explained that the "Nighthawks" painting depicted "three characters." He also admitted that he painting was "unconsciously ... painting the loneliness of a large city."

But perhaps the best explanation of the painting came from A. E. Housman, who once wrote about being "a stranger and afraid. In a world I never made."

On a recent trip to Boston, I leaped at the opportunity to see the genius of Mr. Hopper, considered by many art historians to be one of the most influential -- if not one of the most popular -- artists of the 20th century.

The exhibit at Museum of Fine Arts, Boston, included much of his often overlooked earlier works, such as "New York Corner," one of his earliest oil paintings from 1913; "Two Trawlers," a watercolor from 1923-24; "Gloucester Mansion," 1924; "Box Factory, Gloucester," 1928; and "House of the Fog Horn I" from 1927.

In pieces such as 1929's "Chop Suey" -- a favorite for many Hopper aficionados; as well as "Rooms for Tourists," 1945; "Cape Cod Evening," 1939; and "Office at Night," 1940, one may gain some insight into Mr. Hopper's emphasis on the importance of the small details of life.

After being exhibited in Boston through Aug. 19, the Hopper exhibit now moves to The National Gallery of Art in Washington, D.C., where it will be displayed Sept. 16, 2007 to Jan. 21, 2008.

In addition to the Carroll County Arts Council bus trip on Sept. 25, Hopper's work is the subject of a documentary that accompanies the exhibition's opening. In the Baltimore area, the film will be shown on MPT Channel 67, Sunday, Sept. 23 at 7:30 p.m.

Kevin Dayhoff writes from Westminster. E-mail him at: kdayhoff AT carr.org.

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20070822 Edward Hopper: Poet of the ordinary

Edward Hopper: Poet of the ordinary

Posted Saturday, August 25, 2007

My Tentacle column for this past Wednesday, August 22, 2007 is on Edward Hopper: Edward Hopper: Poet of the ordinary

On a recent trip to Boston, I leapt at the opportunity to see the genius of Mr. Hopper, considered by many art historians to be one of the most influential, if not one of the most popular artists of the twentieth century.

Although shows in recent years have featured portions of his work, it was the Whitney in 1980 that put together the last major comprehensive retrospective show of his work, “Edward Hopper: The Art and the Artist,” took place at the Whitney. That show also toured London, Düsseldorf, Amsterdam, San Francisco, and Chicago.

In 1999 an exhibition of fifty-six watercolors from 1923 until the mid-1940s debuted at the Smithsonian American Art Museum. This was the work, painted in Gloucester and Cape Cod, which first caught the eye of the art world and collectors. Forty at the time, his watercolors that finally made him financial secure after struggling many years supporting himself as a teacher and a commercial illustrator.

Seventy of his paintings toured Europe in 2004. It traveled to Cologne, Germany and the Tate Modern in London England where published accounts have noted that in the three months it was exhibited, it was viewed by 420,000 folks becoming the second most popular in the history of the gallery.

[…]

The voyeuristic stark world of American Scene realist artist Edward Hopper was recently on view at the Museum of Fine Arts in Boston Massachusetts.

While the exhibit ranges extensively from Mr. Hopper’s early prints, watercolor landscapes and scene paintings, to his iconographic oil paintings, the exhibition focused on a 25-year period of peak artistic expression from 1923 to about 1948. The show distributed about 100 pieces of art, in chronological order across 8 gallery-rooms, including 12 prints, 34 watercolors, 48 oil paintings, and two of his “ledger” notebooks containing his sketches and notes.

Art from 39 public and 13 private collections has been brought together to give visitors the opportunity to listen carefully for the “poetry” of Mr. Hopper’s otherwise famously spare, mute landscapes, blunt geometrics and austere interiors in which the beauty is in the common place, the unexpected, and the unexceptional.

[…]

The Tate restates that one of the many reasons Mr. Hopper remains relevant today is that he has “inspired generations of artists, writers, and filmmakers including David Hockney, Mark Rothko, Alfred Hitchcock, Todd Haynes, and Norman Mailer.”

Coinciding with the National Gallery of Art show will be yet another Hopper-inspired work of art - an opera, “Later the Same Evening: an opera inspired by five paintings of Edward Hopper,” by renowned composer John Musto and librettist Mark Campbell.

The opera will be performed November 15-18, 2007 at Clarice Smith Performing Arts Center at the University of Maryland in College Park, MD, and December 2, 2007 at The National Gallery of Art

Additionally, the artistic impact of Edward Hopper’s work is the subject of a new documentary film that accompanies the exhibition.

It is narrated by actor, writer, and Hopper art collector Steve Martin and produced by the National Gallery of Art. In the Washington area, the documentary will be shown on WETA Channel 26 on Thursday, September 6 at 10:30 p.m. and in the Baltimore area on MPT Channel 67 on Sunday, September 23 at 7:30 p.m.

Read the entire column here: Edward Hopper: Poet of the ordinary

The Carroll County Arts Council is sponsoring a bus trip on September 25 to experience this must-see event in this year’s fall art calendar. Call the Arts Council at 410/848-7272 for details.

Mr. Hopper’s art may have been relatively mute in its spare commentary yet it continues to inspire the viewer to lend their own story to each enigmatic piece and artists in other media continue to add an interpretation of their own. The National Gallery exhibition is a must see event in this fall’s art and culture calendar.

Kevin Dayhoff writes from Westminster Maryland USA.

www.kevindayhoff.net

E-mail him at: kdayhoff AT carr.org or kevindayhoff AT gmail.com

His columns and articles appear in The Tentacle - www.thetentacle.com; Westminster Eagle Opinion; www.thewestminstereagle.com and Winchester Report.